10 December 2010

A Modern Christmas Carol - part three

Charles Dickens' short story 'A Christmas Carol' is universally recognised as one of the best seasonal tales, but there's so much more to it than that.

First published on 19th December 1843, the book was received by a public who were keen to explore the true meaning of Christmas. This was Victorian Britain, and puritan ways of the past were being quickly swept away with more festive celebrations. A wave of nostalgia led to rediscovery of carols, published in a series of carol books. New customs such as the Christmas tree and the sending of greeting cards were being introduced into the country. Dickens' addition to the season explored his own sympathy for the poor, and includes many ideas inspired by the Christmas stories of Washington Irving. The title of the work reflects the revival in carol singing at that time. It's partly a reworking on a earlier scene from Pickwick Papers (1837), where Mr. Wardle talks about Gabriel Grub, a sexton, who undergoes a miraculous conversion at Christmas after being visited by goblins.

Dickens' work goes far beyond the celebrations. It is a tale of one man's salvation, leading the reader through scenes of bitterness, coldness and death, and to a subsequent revelation by Scrooge - inspired supernaturally - that there is another way. His heart is warmed, and peace and goodwill come to the fore. A little further research into the book's history will reveal that Dickens clearly wanted to put forward a comment on how the poor were being treated, turning this from a simple story into a morality tale by publicising his own ideas of social justice.

Many see this as a secular vision of the Christmas season. I disagree; I see plenty of evidence that this clearly reflects the hope found in the Nativity story - and plenty more from the subsequent teachings and passion of Christ.

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